Cinema City 2011.
In so doing, it shows how the policies engaged by modern police States extend beyond the law, and cause gray areas, cracks, indistinct places between the rule and the exception.
Individuals (and primarily as enunciation of the “defeated,” pariahs or contemporary plebs: refugees, displaced persons, undocumented immigrants, but also unemployed workers, young people of the poor suburbs…) see themselves thus treated like criminals; they are stripped, divested of the most elementary rights that make of them subjects of law and are reduced to the state of “pure bodies,” or “naked lives.” Figures of wars.
Awards: FIPRESCI Award, BAFICI 2011;